His career began in , when he produced Graham Parker 's Heat Treatment as well as the self-titled debut from City Boy , the first in a series of collaborations with the group. He reunited with the group a year later for the classic Back in Black , followed in by Foreigner 's blockbuster smash 4 , which earned him a Grammy nomination as Producer of the Year. That same year, he also helmed Def Leppard 's High 'n' Dry , his first collaboration with the band, and resumed the partnership for 's Pyromania , which officially broke the band in America. By this point, Lange had already cemented his status as an in-demand producer and collaborator. His next project would bring him still greater success, however, and in some ways solidify his legacy. Lange met country artist Shania Twain soon after the release of her debut. The couple married and began working on Twain 's follow-up. The molting process was completed two years later with Come on Over.
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Mutt Lange married his mistress, who was Shania Twain's former assistant
Robert John "Mutt" Lange born November 16, is a record producer and songwriter. He is one of the most successful producers in rock history. His current projects are producing for and writing songs with his estranged wife, country singer Shania Twain. Her album Come on Over which he produced is the best selling record by any female artist of all time. Mutt quit Sonovision in and the band rented a house on a fifty acre plot near Mudders Drift, fifteen miles from Johannesburg. They kept their gear permanently set up in the lounge and each had their own bedroom.
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Few will be able to name the second-biggest hit, unless they are a fan of hard-rock music. It made someone else a superstar, too, even if that person never gives interviews, never appears on TV and lives a reclusive life in New Zealand. The job of a record producer is somewhat nebulous. In its most simplistic form, it is to make the music an artist performs in the studio sound the way they want it to sound. For some producers, that means trying to replicate the chemistry of a live show. Mr Lange fell somewhere between the two camps: he made the artists he worked with sound not like him, but a version of themselves they could not have been without him. Recording began in April , just two months after the death of their singer, Bon Scott, and weeks after Brian Johnson had been named his replacement. Mr Lange softened their harder edges, emphasising rousing choruses and packing the songs with hooks. The band would write sections of music which they and Mr Lange would then transform into songs by making the very best section the chorus.